Carmilla is an 1872 Gothic novella by Irish author Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and morally ambiguous. The story is often anthologised, and has been adapted many times in film and other media.
Carmilla is an 1872 Gothic novella by Irish author Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and morally ambiguous. The story is often anthologised, and has been adapted many times in film and other media.
Love will have its sacrifices. No sacrifice without blood.
No rating
A short and seductive lesbian vampire story written decades before Dracula. Carmilla is a really fascinating character, but as a whole, the plot is so transparent to the reader that it really breaks the suspense.
devoured this as an audiobook over less than a week. it's a good book of a comfortable length! yes, it's got its clunky parts (especially that last chapter that feels obligated to provide explanations to stuff that really didn't need too much of an explanation or that could have better been explained throughout), but i feel like that is mostly an issue of different stylistic expectations over a 150 year gap. still though, i enjoyed the book, as evident by the speed i read it, and it's nice to catch up on what is a vital piece of both vampire, gothic and lesbian literature.
devoured this as an audiobook over less than a week. it's a good book of a comfortable length! yes, it's got its clunky parts (especially that last chapter that feels obligated to provide explanations to stuff that really didn't need too much of an explanation or that could have better been explained throughout), but i feel like that is mostly an issue of different stylistic expectations over a 150 year gap. still though, i enjoyed the book, as evident by the speed i read it, and it's nice to catch up on what is a vital piece of both vampire, gothic and lesbian literature.